Above and Below This Reality on The Writestream with Daria Anne

Above and Below This Reality on The Writestream with Daria Anne

Please join me on Wednesday, November 15 at 11 AM Eastern when I interview author Melynda Pearce about her new book, Above and Below This Reality: The Lost Encrypted Knowledge:

What is the lost encrypted Knowledge? Why has it been deliberately withheld from humanity? In her groundbreaking metaphysical book Above and Below This Reality: The Lost Encrypted Knowledge, author Melynda Pearce reveals the illusion of this man-made reality and takes readers to a deeper level of spiritual insightExpand your mind and free your spirit as she describes the Laws of Alchemy, the Christ Consciousness, and the power of the mind in clear, simple terms, based on her own Near Death Experience and astral travels where she met Christ and agreed to fulfill her purpose. With Earth’s inevitable Third Peril upon us, every human being must understand the truth of our cells and the blueprint within our DNA to save our souls from the desolation of the buffer zone and spend eternity in the Higher Realm. In her book, Pearce shares crucial information and loving guidance designed to help every man and woman achieve a higher state of consciousness with the Feminine God and enter the Higher Realm upon transitioning into spirit to reunite with their soul for eternity.

Preview and purchase the book on Amazon.com.

About Melynda

Melynda Pearce is sharing her journey leading to her awakening and seeking her grand purpose for being alive in this current life cycle. “In order to raise the human consciousness I am being  prompted  to seek and unleash hidden knowledge that existed in my cells from countless life cycles ago. The greatest desire of my existence is to share this love and knowledge with all beings from all cultures and walks of life. There is no better time then the present to utilize the ability to exercise critical thinking.”

To stream the episode, click here. Or dial (347) 945-7246 to listen by phone. Press “1” if you would like to ask a question. We’re live at 11 AM Eastern on Wednesday, November 15.

UPDATE: Missed the live episode? Click to listen.

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Formatting Versus Editing

Formatting Versus Editing

Why explain formatting versus editing?

Aside from ghostwriting, I offer all-inclusive publishing packages that include (among other services) professional formatting and editing.

What is the difference between the two?

According to Dictionary.com, book formatting is defined as 1. the shape and size of a book as determined by the number of times the original sheet has been folded to form the leave; and 2.the general physical appearance of a book, magazine, or newspaper, such as typeface, paper, margins, etc.

 

An example of paperback formatting.

Professional formatting pertains to the creation of the interior of a book after it has been edited for content, consistency, punctuation, grammar, spelling and typos. Depending on the publishing package you choose, you can count on me to correct any issues with grammar, punctuation, and spelling. But whether or not your package includes an editorial assessment (focusing on logical flow and progression of content), your manuscript will undergo multiple layers of editing.

From there, I send the manuscript back you with the request to carefully review and inform me of any further editorial changes. This is a critical part of the process and should not be rushed, no matter how excited you, the author, may be to bring your book to the online marketplace. At best, I recommend taking two-to-three days to ensure complete satisfaction with the content. Because I approach editing in a collaborative fashion and involve my author-client every step of the way, typically there are few, if any, changes. However, if the client wishes to alter anything having to do with items including word choices, dialogue, quotes, etc., it must be done before the formatting process begins.

An example of Kindle formatting.

An example of Kindle formatting.

Once in formatting, the only changes to the manuscript should involve things like fonts, justification, consistent chapter title set-up (e.g. does each chapter begin in the middle of a page?), table of content alignment, boldface or regular type, placement of photos and the like.

When a book is in the formatting phase, I can no longer add new content. Yes, if for some reason, a word gets misspelled in the process, I correct it. If a few sentences of a paragraph accidentally get cut out, I’ll re-insert them. But the time to decide you want to write another chapter or paragraph; add more names of people to your dedication or acknowledgements pages; throw in a new quote from another source; or change anything related to the actual content is while that manuscript is still in the editing phase.

Major General Linda L. Singh says she’s learning “to go slow to go fast” in life. With respect to editing, this is sage advice. By tempering your eagerness to publish your book and taking as much time as you need in the editing process, you can expect a smooth, efficient formatting phase, resulting in a professionally produced book you can be proud of.

Need help with indie publishing? Contact me to set up your free, no-obligation consultation.

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How Much Does It Cost to Hire a Ghostwriter?

How Much Does It Cost to Hire a Ghostwriter?

As a seasoned ghostwriter, I’m happy to answer the question often posed in Google searches.

But before we delve into costs, let’s begin by defining ghostwriting:

  • What is it exactly?
  • How does it work?
  • What qualities should you look for in a ghostwriter?

Ghostwriting is a service where you entrust your concept for a fictional story or the facts of your own life and experiences (in the case of a nonfiction memoir, self-help book, etc.) to a professional ghostwriter. The ghostwriter then gathers information from you, outlines the book accordingly, and writes it in your voice.

That’s a basic starting point. Depending on the scope of the project, it can take anywhere from four months to several years to produce a high quality product. In my experience as a ghostwriter of fiction and nonfiction books, nonfiction is faster and easier to complete.

Why?

Once I have the information from my client, it’s a matter of deciding what’s important to include (based on the purpose of the book and other factors), arranging the content in a logical manner, then writing it on their behalf. Whenever I consult with a potential new client on their ghostwriting project, I describe in detail how the process works:

  1. Investigation – we set up a weekly recorded call where I act as an investigative reporter and ask questions. Why recorded? To make it easier to capture information I’ll need later on and the client’s manner of speaking; in essence, their voice. This ensures that when I sit down to write, I’ll be writing as the client — not as me. Depending upon the scope of the story, the investigative part of the process can take anywhere from a few weeks to several months.
  2. Collaboration – from there, I collaborate with the client to offer suggestions in terms of content and ensure they’re comfortable including certain things. For example, one of my clients experienced a rape by a family member as a teenager. In the beginning, she was adamant about not identifying him, which I honored and understood. But as the process moved along, she decided to call him out. Either way, including the rape as a turning point in her life was necessary. Particularly when dealing with sensitive topics, the client is always in control. My job as the ghostwriter (and editor) is to make professional suggestions based on knowledge and experience.
  3. Organization – once I have all the information, I listen to playback of all recordings to determine a logical sequence to the book. Flow and pacing are just as important as content. Even if you have an incredible story to share, if not properly organized, you’ll quickly lose your readers. In the case of fiction, once I have the real-life events, I then figure out characters, plot, and sequencing. Fiction demands a different kind of creativity. Once I know the actual story, I then spend time creating characters and mapping out a plot. I explain to my clients that the fictional version of their story will not mirror real life because it’s not a memoir. Aside from changing locations (dictated by the client), creative license may involve consolidating multiple real-life people into one character, amending the timeline of events for pacing purposes, and creating purely fictional situations to enhance the intrigue.
  4. Writing – as I said, ghostwriting demands the ability to write in someone else’s voice, which means getting into someone else’s head. The only way to accomplish this feat is by conducting the regular recorded interviews I described in the first bullet. Most importantly though, a ghostwriter must have a genuine interest in other people. Without it, it’s impossible to do the job well. Paradoxically, good writing is a product of pouring your heart and soul into your creation, yet in the case of a ghostwriter, it’s not really your work, so you must maintain a certain detachment while you treat the process as if the end result is your accomplishment. This is especially true if your name will not appear anywhere on the cover.
  5. Editing – after I’ve completed the manuscript, I review it with my client for content before I send it to a professional editor (I work with several talented people). As with the writing portion of the project, my client has the right to accept or decline any changes for as long as the book is in the editing phase. However, once my client approves the edits and their manuscript moves into the formatting phase, there are no further editorial changes. (More on formatting vs. editing in another post).

Now that you know how ghostwriting works, hopefully you understand its value. Your ghostwriter will spend countless hours fulfilling your dream of becoming a published author and/or of adding more published books to your list of accomplishments. It demands time, talent, skill, discernment…and even a bit of amateur psychology for a good ghostwriter to produce a product their client can be proud of.

How Much Does It Cost to Hire a Ghostwriter?

Let’s get down to dollars and cents and answer the question of how much it costs to hire a ghostwriter. If we’re talking about a full-length book, which is what I’ve outlined in this post, I defer to Laura Sherman, Ghostwriter and Author:

  • Cheap writers can be found who will write a 100 to 200 page book for as little as $2,000. If this is your budget (and you’re a gambler by nature), your best bet is to find a student new to the industry. Please be careful that he or she is actually writing your book and not plagiarizing another writer’s work.
  • Professional writers will usually charge between $12,000 and $90,000 to write a 100 to 300 page book. This price varies depending on the writer’s level of expertise and the amount of work required for the project.
  • High-end celebrity writers are usually hired by actors, politicians, musicians and other famous personalities who will sell books just by virtue of their name. The writers for these celebrities are well-established authors with a lot of experience. They can charge $150,000 to $750,000 for a book. Sometimes more.

The old adage, You Get What You Pay For, applies here. As a professional writer who has ghostwritten several books including Steps to SalvationReflections on the Ring: An Ordinary Woman’s Extraordinary Tale of How She Saved Her Marriage and Family, and To Guard My Every Neighbor: Inside the Fire, I fall into the second category.

Please note that the minimum cost for a professional writer’s services is $12,000 — and that is for a book between 100-300 pages.  Depending on the length and type of book, my ghostwriting services begin at $3,000 for a 100 page book. I’m happy to discuss your project over the phone to gather the information I need to prepare a written proposal.

If you would like to set up your no-obligation consultation to discuss your project, contact me here.

 

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How to Write a Quality Book Review

How to Write a Quality Book Review

Since authors spend a great deal of time and effort on their books, writing a review is one of the best ways to show your appreciation and offer constructive feedback to help them improve their craft. For potential readers, a thoughtful review can mean the difference between purchasing a book or clicking onto the next title in their search for a good read.

But what comprises a quality book review?

First, let’s talk about what constitutes a bad book review. No, I’m not referring to legitimate criticism of characters, plot, pacing, writing, or any other vital aspect of a compelling story. I’m talking about generic reviews like, “I loved the book!” or “Wow, this is excellent!” or “This book is a must-read!” that omit any substantive descriptions as to why the reviewer is offering such effusive praise.

Conversely, the same principle applies to pithy one-or-two sentence reviews like, “Awful book!” “I can’t believe anyone would write this drivel!” or “Don’t waste your time reading.”

Either way, the reviewer does the author and his or her potential readers a disservice by omitting specifics. Whether you love or hate a book (or fall somewhere in-between), here are some guidelines on how to write an effective, useful review for both authors and readers.

  1. Demonstrate You Have Actually Read the Book– sounds counter-intuitive, but I’m not advocating that reviewers should give away spoilers. However, it is possible to mention a few specifics about what you liked about the main character, themes, narration, dialogue, etc. What did you like or dislike about the protagonist or supporting characters? Why did the plot draw you in? Was the book thought-provoking? Edgy? Enlightening? Why?  Even if you select just one aspect and explain why it had an impact on you (either positively or negatively), it will demonstrate your knowledge of the book.
  2. Offer a Balanced Perspective– as I mentioned, a great deal of time and energy goes into the production of a book. Whether you rate it 5-stars or 3-stars (more on that further down the post), point out specifically what the author does well and the areas in which he or she could improve. Is the dialogue stilted but the prose captivating? Say so. Is the pacing too slow? Too fast? Explain why and give an example. Is a character well defined or one-dimensional? Offer a specific example that supports your opinion.
  3. Limit Your Review to One-to-Three Paragraphs– for maximum impact, keep it pithy. Select a few qualities about the book that stood out to you, whether it involves a secondary character, a particular scene, or the overarching themes. Again, you don’t want to give away spoilers; you want to focus on your most indelible impressions of the book. No one wants to read a lengthy, rambling review, and from a copywriting/marketing perspective, such reviews do more harm that good. The objective is to provide constructive criticism/praise to better inform the author and prospective readers.
  4. Give the Author at Least 3 Stars– here I am taking my cue from my friend and author Daniella Bova, who states at her blog DaniellaBova.com, “Authors put their heart and soul into their writing, so I will never give any book less than 3 stars. I just won’t review it at all.” Words to live by. If you really hate a book for whatever reason (poorly written, plot holes, undeveloped characters, etc.), it’s best to heed our mothers’ advice while growing up, “If you can’t say anything nice, don’t say anything at all.” In such a case, I recommend contacting the author directly and privately (if they’ve made their email public or have a public FB page where you can message them) and sharing your thoughts. By doing so, you’ll be helping them improve while saving them the embarrassment of a 1-or 2-star public review. Do unto others, as you’d have done to you, after all.

A while back I received positive feedback on a book review I posted for the book Soul Mates & Angels. The person who read it complimented me for following the guidelines I’ve outlined above, instead of posting a generic opinion. She even used it in a promotional email she sent out on behalf of the author, Betty RaeI’m posting it here as an example:

This beautiful story drew me in from the moment I began reading. Written in the first person, its tone is at once hopeful, joyful, inquisitive, and thoughtful. Blessed with a supernatural ability to communicate with angels, the main character Anita Lyn Riley struggles to reconcile the mundane aspects of her life — from high school bullies to adolescent crushes — with the knowledge that evil exists everywhere, not just in some far away places.

On a personal level, she knows what it feels like to be misunderstood and feared for being different. When we first meet Anita, she is adapting to her new public high school, having upset the religious sensibilities of the priests and nuns at her former Catholic institution with her tales of reincarnation and otherworldly visions. As the book unfolds, her journey becomes progressively more difficult as circumstances force her to take courageous stands for justice, spurred on by righteous anger.

Filled with endearing characters and thought-provoking insights, Soul Mates & Angels celebrates the unbreakable bond that exists between all humans as children of God, the power of good to overcome evil, and the unseen realm where angels and loved ones are always there to help us.

Happy reading…and writing (book reviews)!

Do you need help with self-publishing, editing, ghostwriting or copywriting?

Contact me here.

Read the reviews of my book, Water Signs: A Story of Love and Renewal, here, where you can also preview and purchase it in paperback or Kindle.

 

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